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Melissa Slayton, Development Editor & Acquisitions |
As well as being a development editor for the press, she also has a hand in choosing which books will get published. She is one of the people behind the scenes who the publisher passes full manuscripts to when they need to be considered for publication. If Melissa says it's a firm yes, then the chances are, you're in!
Melissa has a B.A. in Creative Writing from Warren Wilson College in Asheville, N.C. Her work can be found in the Journal of Compressed Creative Arts, San Pedro River Review, Best of Vine Leaves Literary Journal 2015, Pinesong, the South Carolina Yearbook, Apalachee Review, Comstock Review, Lyric Magazine, The Poet’s Word, and TINGE. She currently plays keyboard for Kael Jackson. |
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Melanie Faith, Development Editor & Acquisitions |
As well as being a development editor for the press, she too has a hand in choosing which books will get published. Melanie inched her way up the VLP ladder by first submitting a writing craft article to the blog (now offline) the press used to publish. Then she became a VLP author, debuting with her popular writing reference book, In a Flash! This then turned into the Flash Writing series, and two more books were born. Jessica, the publisher, then started sending Melanie full manuscripts to evaluate in order for her to consider them for publication. Her evaluation notes were so extensive, brilliant, and spot on, that she decided Melanie needed to be hired. Melanie is currently working on a new reference series for VLP. The first one entitled, Creating an Online Creative-Writing Class for Fun and Profit.
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Alana King, Copyeditor & Proofreader |
As well as being a copyeditor and proofreader for the press, Alana is responsible for compiling and creating our monthly round-up newsletters. After earning a B.A. in English from Texas State University and an MFA in Creative Writing (Fiction) from the University of Memphis, Alana King is currently working on a Ph.D. in Literature at the University of Texas at Dallas. Her research interests include American Literature and History, the literature and history of marginalized and non-mainstream populations, film studies and history, and war and genocide studies.Outside of school, she also proofreads and edits blog posts, articles, and manuscripts and also serves in readership or editorial positions for lit journals and publications.
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Alexis Paige, Development Editor |
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Just like Melanie, Alexis scored her role at Vine Leaves Press by first becoming an author here. Her memoir in vignettes, Not a Place on Any Map, was the winner of the 2016 Vine Leaves Press Vignette Collection Award. Paige is a four-time Pushcart Prize nominee, whose essay, “The Right to Remain,” from The Rumpus, was named a Notable in the 2016 Best American Essays Anthology. Winner of the 2013 New Millennium Nonfiction Prize and twice a finalist in Glamour Magazine’s essay contest, her work has also appeared in many journals. Paige is also an editor for Brevity Journal, and she holds an MA in poetry from San Francisco State University and an MFA in nonfiction from the University of Southern Maine. She teaches college writing, and has served as guest faculty at the Stonecoast MFA program, as writer-in-residence at Bay Path University, and as visiting artist at Saint Lawrence University. Paige writes from a converted farmhouse pantry in Vermont, where she lives with her husband, two dogs, and one wayward duck.
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Peter Snell, Acquisitions |
Peter Snell is solely responsible for acquiring books at VLP as he's not just your average slush pile reader. He was a bookseller at Barton's Bookshop in Leatherhead, UK, for 20 years and has been an avid reader from the age of three or four. He definitely knows a potential good book when a manuscript reaches his hands. He has a BEd Hons degree in history and is a qualified teacher with an earlier background with IBM where he became familiar with PL1, Fortran 4 and 80 column cards. It has been his mission in recent years to champion new writers, traditionally published or otherwise, and discover new talents and those not yet fully recognised. To this end he has surrendered most of his autonomy when choosing the books he reads and subsists on a diet of author submissions and publishers' proofs and pre-pubs.
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